Products featuring George Bush’s artwork have been removed from the Society6 webpage. Mashable suggests, per Cariou v. Prince, the artist of the Bush inspired works could argue fair use. Just as a start to addressing this problematic assumption, the idea seems to ignore the fact that Prince’s work was found to be “transformative” whereas the Bush inspired works are merely prints of the paintings on various goods for commercial use. Likewise, Fair Use is an affirmative defense, meaning a maker must first be sued before they can attempt to argue it.
That being said, a closer examination of statues and proper reading of case law should be completed before artists rely on the Fair Use defense.
September 18th, 2016 by Sergio Muñoz Sarmiento in Property
If you missed the original conversation back in February of 2014, or haven’t seen the video of that conversation, we’re revisiting the chat between Sarmiento and Magid on access to cultural property. Check it out!
Artist Antonio de Felipe’s studio assistant, Rumiko Negishi, has filed a lawsuit against the artist. Negishi claims she painted 221 of his signed works from scratch, based on Felipe’s sketches. According to Artnet, Negishi worked in Felipe’s studio for ten years as a painter. The lawsuit insists Felipe “admits the truthful facts regarding the authorship of the paintings.” Negishi is demanding to be considered author or at least co-author of the works.
El Español has published a response from Felipe in which he states Negishi “has intervened in some areas of my paintings, but the intellectual authorship of the works is mine. Fumiko has not contributed anything to them,” De Felipe said. He added: she is merely “a studio assistant, like all artists have.” Should the lawsuit prevail, many artists with studio assistants will need to reconsider their procedures for maintaining sole authorship.
February marked what may be shift in the approach to copyright art foundations are taking. The Rauchenberg Foundation adopted a new policy allowing images of Rauchenberg works to be used, for non-commercial purposes, free of charge or license. Since doing so, the foundation has found a major increase in publicity, and reports the gain outweighs the lost licensing fees.
The Mike Kelley Foundation may be following their lead. The foundation’s president, John Welchman, supported The Rauchenberg Foundation’s policy change. Welchman is a professor, and with educational purposes in mind, plans to discuss easing copyright restrictions on Kelley works.
The Art & Law Program is now accepting applications for its spring 2017 term on a Rolling Basis. The Rolling Admissions deadline is December 16, 2016.
Applicants who apply through Rolling Admissions can expect to receive a decision from the Program 1 to 2 weeks after their application is received. The Program’s admissions process is competitive—as each year they get many more applications than they have spaces for, so if you’d like to increase the likelihood of acceptance or need to know of an acceptance or rejection as soon as possible, obviously the sooner you apply the better it is for you. Non-US based applicants are strongly encouraged to apply sooner rather than later.
In more exciting news, the spring 2017 seminars will be held at the Cornell Art Architecture Planning headquarters at 26 Broadway in New York City.
Application info may be found here. For a list of seminar leaders, click here.
Image courtesy of Donut Taco Palace.
Hand gestures and trademark lawsuits.
As much as I love my Texas Longhorns, I have to admit this is bordering on the aggressive and ridiculous. Can’t we all just eat a taco followed by a donut?