Applying Copyright’s Fair Use Through Semiotics

H. Brian Holland, Associate Professor of Law at Texas Wesleyan School of Law, is publishing Social Semiotics in the Fair Use Analysis in a forthcoming issue of the Harvard Journal of Law and Technology. I haven’t had time to read it yet, but here’s a bit from the abstract.

This article presents an argument for an expansion of fair use, based not on theories of authorship or rights of autonomy but rather on a theory of the audience linked to social practice. The article asks, in essence, whether audiences determine the meaning, purpose, function, or social benefit of an allegedly infringing work, often regardless of what the work’s creator did or intended. If so, does this matter for the purpose of a fair use analysis based on a claim of transformativeness?

You may access the article here.

Tags: acuff rose, appropriation, art, Associated Press, authorship, derivative, intellectual property, originality, piracy, pretty woman, Shepard Fairey, transformative